Dodge Greenley is tired of being the go-between for his time-traveling family. All he wants is for them all to be able to live together peacefully in one era—is that too much to ask? But after breaking all the Rules of time travel in a desperate attempt to retroactively free his parents from the threat of the secret organization his father worked for a hundred years earlier, Dodge makes a startling discovery. It turns out there's someone else stalking his family up and down the timeline, and this time, the menace may be coming from within the Place in Time Travel Agency itself. Enlisting the help of his 22nd century coworker, Dodge sets off to the year 1915 to rescue his sister from a threat that might have originated at any point in their past, present, or future, proving once again that the greatest threat to time travelers is other time travelers. THE CAUSALITY LOOP, which brings Wendy Nikel's popular Place in Time novella series to a close, will be available in ebook and paperback on October 29, 2019. Pre-order your copy at the links below! Catch Up on the Rest of the SeriesAbout the AuthorWendy Nikel is a speculative fiction author with a degree in elementary education, a fondness for road trips, and a terrible habit of forgetting where she's left her cup of tea. Her short fiction has been published by Analog, Nature: Futures, Podcastle, and elsewhere. Her time travel novella series, beginning with The Continuum, is available from World Weaver Press. For more info, visit wendynikel.com
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CLOCKWORK, CURSES, AND COAL: Steampunk and Gaslamp Fairy Tales Anthologist: Rhonda Parrish Open for Submissions: February 1 - March 31, 2020 Expected Publication: early 2021 Story Length: up to 7,500 words Payment: $0.01 per word + contributor copy Steampunk’s core is a re-imagined 1800s using steam-powered technology so it is all about gears, goggles and gaslamps. And corsets and courtship and exploration (often in the form of colonialism). I want the bustles, parasols, high tea and airships, of course, but I also welcome stories which confront the darker, problematic side of Victorian sensibilities and attitudes. Plus fairy tales. For example: What if a shoemaker was visited at night by tiny automatons? What if the little mermaid didn’t have to find a to escape the ocean to be with her prince, but instead her social class? What if a woman’s upper class family was embarrassed by her scientific endeavors so they locked her in a tower… or tried to, anyway? Or a mechanized cat discovers a pair of fantastic boots? Or an explorer climbed a giant beanstalk and found a whole new, forgotten world? Original fairy tales are welcome, as are retellings. If you choose to retell a familiar favourite, make sure your story offers something new and interesting. I’d rather see stories that reflect the long history of fairy tales as social commentary than those which simply tell the same story with a different setting. Although steampunk tends to be focused in the American ‘wild west’ or Victorian England, this anthology needn’t be. I am open to stories set all over the world, and would love to see ‘Own Voices’ stories. As with the first book in the Punked Up Fairy Tales series, Grimm, Grit and Gasoline, I would love to see a diverse collection when it comes to which fairy tales are represented but also the races, genders and sexualities of the characters within them. Simultaneous submissions = okay. Multiple submissions = no. How to submit: A submission link will be available when it gets closer. Do not attempt to submit your story before February 1, 2020! About the AnthologistRhonda Parrish is the editor of more than a dozen anthologies including, most recently, Fire: Demons, Dragons and Djinns and Tesseracts: Nevertheless. In addition, Rhonda’s written work has been in publications such as Tesseracts 17: Speculating Canada from Coast to Coast and Imaginarium: The Best Canadian Speculative Writing (2012 & 2015). Her YA Thriller, Hollow, is forthcoming (March 2020) and her website, updated regularly, is at http://www.rhondaparrish.com More Anthologies From Rhonda Parrish |
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