Rhonda Parrish, editor of the highly anticipated Fae anthology, interviews contributor Laura VanArendonk Baugh.
What was the inspiration for your Fae story?
I’d been reading some months before on modern slavery, how there are about 29 million enslaved people today – not pinned by student loans or other things sometimes described as slavery, but real, captive, bought-and-sold slaves, used for forced labor or the sex industry. About 2 million of those are kids in the commercial sex trade. (See www.ijm.org for more information and ways to help fight modern slavery.)
Meanwhile, I saw a delightful production of A Midsummer Night’s Dream at our local repertory theater, and they had a lot of fun with the fairies. Jennifer Johansen, who played Titania, is one of my favorites, and her portrayal stuck in my mind, blurring Shakespeare’s Fairy Queen with the strength of other characters Jen has played.
The opening concept – immortality was evolution’s biggest mistake – had been in my idea file for years, waiting for an opportunity.
And then I over-dosed on dark chocolate and everything was a blur, and when I came to, “And Only the Eyes of Children” had happened.
I’d been reading some months before on modern slavery, how there are about 29 million enslaved people today – not pinned by student loans or other things sometimes described as slavery, but real, captive, bought-and-sold slaves, used for forced labor or the sex industry. About 2 million of those are kids in the commercial sex trade. (See www.ijm.org for more information and ways to help fight modern slavery.)
Meanwhile, I saw a delightful production of A Midsummer Night’s Dream at our local repertory theater, and they had a lot of fun with the fairies. Jennifer Johansen, who played Titania, is one of my favorites, and her portrayal stuck in my mind, blurring Shakespeare’s Fairy Queen with the strength of other characters Jen has played.
The opening concept – immortality was evolution’s biggest mistake – had been in my idea file for years, waiting for an opportunity.
And then I over-dosed on dark chocolate and everything was a blur, and when I came to, “And Only the Eyes of Children” had happened.
Was this your first foray into writing fairy stories?
Sort of. I haven’t written much with traditional Western fae, but I’m definitely not new to folkloric fiction. My Kitsune Tales series is set in old Japan and revolves around the youkai there, sort of the equivalent of our fairy and monster collections.
Can you tell us a bit about the specific type of fairy creature in your story?
I departed a bit from traditional lore. Robin is half-Fae, an oddity resulting from the Fae’s (usually fruitless) attempt to breed. We’re given to understand that human-fae offspring are relatively rare and often carry a heavy biological penalty. Robin has to work at bit harder at many Fae skills, such as the use of magic, but it’s possible.
What is your favourite type of fairy, and why?
If I may go back to the Japanese youkai, Eastern fae, there are a lot of fun creatures from which to choose, and most are so very different from our own fairies. (An enormous disembodied foot which falls through your ceiling in the middle of the night and demands to be washed? A friendly household spirit made entirely of cast-off kitchen utensils?) But one of the most popular, and a personal favorite as well, is the kitsune, a shape-shifting fox.
In western lore, the Other is usually easy to identify. But kitsune can take the form of a human, or even of a particular human you know well. And they may be benevolent or quite malicious, while they appear to be like us. So many possibilities!
Outside of your own writing, who is your favourite fairy character? (ie: Tinkerbell, Puck, etc.)
Ooh, a fun question!
I’m not sure I can say she’s my favorite, because I don’t think I like her, but I’m fascinated by Jim Butcher’s take on Queen Mab in The Dresden Files. And of course I’m not alone in thinking of Disney’s Maleficent in Sleeping Beauty as an iconic and delightfully scary fairy
Sort of. I haven’t written much with traditional Western fae, but I’m definitely not new to folkloric fiction. My Kitsune Tales series is set in old Japan and revolves around the youkai there, sort of the equivalent of our fairy and monster collections.
Can you tell us a bit about the specific type of fairy creature in your story?
I departed a bit from traditional lore. Robin is half-Fae, an oddity resulting from the Fae’s (usually fruitless) attempt to breed. We’re given to understand that human-fae offspring are relatively rare and often carry a heavy biological penalty. Robin has to work at bit harder at many Fae skills, such as the use of magic, but it’s possible.
What is your favourite type of fairy, and why?
If I may go back to the Japanese youkai, Eastern fae, there are a lot of fun creatures from which to choose, and most are so very different from our own fairies. (An enormous disembodied foot which falls through your ceiling in the middle of the night and demands to be washed? A friendly household spirit made entirely of cast-off kitchen utensils?) But one of the most popular, and a personal favorite as well, is the kitsune, a shape-shifting fox.
In western lore, the Other is usually easy to identify. But kitsune can take the form of a human, or even of a particular human you know well. And they may be benevolent or quite malicious, while they appear to be like us. So many possibilities!
Outside of your own writing, who is your favourite fairy character? (ie: Tinkerbell, Puck, etc.)
Ooh, a fun question!
I’m not sure I can say she’s my favorite, because I don’t think I like her, but I’m fascinated by Jim Butcher’s take on Queen Mab in The Dresden Files. And of course I’m not alone in thinking of Disney’s Maleficent in Sleeping Beauty as an iconic and delightfully scary fairy
Check out Laura's story, "And Only the Eyes of Children," in the anthology FAE.
Laura VanArendonk Baugh was born at a very early age and never looked back. She overcame childhood deficiencies of having been born without teeth or developed motor skills, and by the time she matured into a recognizable adult she had become a behavior analyst, an internationally-recognized and award-winning animal trainer, a popular costumer/cosplayer, a chocolate addict, and of course a writer. Now she has letters after her name and writes best-selling non-fiction as well as fiction in various flavors of historical and fantasy. Find her at www.LauraVanArendonkBaugh.com or on Twitter at @Laura_VAB.
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